Volver a Casa / Homegoing

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Yaa Gyasi: Volver a Casa / Homegoing (Spanish language, 2019, Penguin Random House Grupo Editorial (USA) LLC)

384 pages

Spanish language

Published Aug. 8, 2019 by Penguin Random House Grupo Editorial (USA) LLC.

ISBN:
978-84-9838-956-2
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3 stars (2 reviews)

Homegoing is the debut historical fiction novel by Ghanaian-American author Yaa Gyasi, published in 2016. Each chapter in the novel follows a different descendant of an Asante woman named Maame, starting with her two daughters, who are half-sisters, separated by circumstance: Effia marries James Collins, the British governor in charge of Cape Coast Castle, while her half-sister Esi is held captive in the dungeons below. Subsequent chapters follow their children and following generations.

The novel was selected in 2016 for the National Book Foundation's "5 under 35" award, the National Book Critics Circle's John Leonard Award for best first book, and was longlisted for the Dylan Thomas Prize in 2017. It received the Hemingway Foundation/PEN Award for 2017, an American Book Award, and the Vilcek Prize for Creative Promise in Literature.

24 editions

Stimulating and Entrancing

5 stars

This book gripped me immediately. A wonderfully written dive into how the slave trade effected and shaped not just the Americas, but also the land the slaves came from. I was enamored in how each generation built on the tragedy and triumphs of the previous generations. I also honestly appreciated that the book wasn't the equivalent of trauma porn, with moments of joy and achievement throughout.

I remember I finished this book on my lunch break at work, and I literally gasped in joy at the ending, as I felt it was the best way that things could have ended.

This book brought me so much joy, as well as great insight into the Black experience through the years and how each historical era changed things.

I've been verbally recommending this book to everyone, and now I'll do it online too.

Review of 'Homegoing' on 'Import'

1 star

Not sure if I'm missing something (the reviews are all good), but the prose and character development in these linked stories offered nothing for me. The stories are connected, one generation to the next, from the history of the gold coast slave trade to modern America, but each trudges along with an aimlessness and a lack of involvement that is frustrating to read. The dialogue lacked reality, and crafted badly drawn stereotypes instead of individuals. The history of this era is more engaging and interesting to read than this is, in novel/short story form.