Paperback, 121 psl.
English kalba
Publikuota 2020 m. rugpjūčio 6 d., Tor.
With the heart of an Atwood tale and the visuals of a classic Asian period drama, Nghi Vo's The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.
A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.
Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.
At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in …
With the heart of an Atwood tale and the visuals of a classic Asian period drama, Nghi Vo's The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.
A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.
Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.
At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.
Great storytelling, I was enchanted by the world Nghi Vo has created.
I love the basic premise of this book: telling a story about a tough, resourceful woman through the framing of an archivist going through objects in her house and getting context for them as flashbacks. It's beautifully written, and the Empress is a compelling character. But somehow the world didn't manage to draw me in. I'm honestly not sure if that's any fault of the book, or just that I'm a bit saturated with new fictional worlds having read a lot of fantasy this year.
– which, in case you were unsure, is a good thing, because you can enjoy peeling away fine layer after fine layer from the story Nghi Vo so intricately wrapped for you. The experience is, there is no other word for it, exquisite.
