Knyga minkštais viršeliais, 336 psl.
Publikuota 2021 m. gegužės 31 d., Del Rey.
Multiverse travel is finally possible, but there's just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from disease, turf wars, or vendettas they couldn't outrun. Cara's life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works--and shamelessly flirts--with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to …
Multiverse travel is finally possible, but there's just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from disease, turf wars, or vendettas they couldn't outrun. Cara's life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works--and shamelessly flirts--with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.
But trouble finds Cara when one of her eight remaining doppelgangers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined--and reveal her own role in a plot that endangers not just her world but the entire multiverse.
The first section of this book was hard going because it seemed to be hitting the allegory bat a bit too hard, but it was worth slogging through because once the basic premise was set up Johnson went all kinds of unexpected places with it and the story really took off.
This is a novel of alternates worlds set on post-apocalypse Earth. On Earth Zero, as he calls it, an inventor-entrepreneur safely ensconced in a gated city shielded from the harsh conditions of its planet has found a way to reach alternate versions of the planet. Crossing over is risky, so the task devolves to the expendable: the citizens of the wasteland ruled by warlords outside the city gates. Like Cara.
I’m not sure anyone could care enough for Cara, or her tech megalomaniac boss with a dark past, to carry a novel, were it not for a simple fact: This is not a novel of alternates worlds set on post-apocalypse Earth.
What Micaiah Johnson has created instead is something that takes the form and background of its genres and uses them for a meditation on inequality, violence – carried out on others and self-inflicted –, and all forms of exploitation, …
This is a novel of alternates worlds set on post-apocalypse Earth. On Earth Zero, as he calls it, an inventor-entrepreneur safely ensconced in a gated city shielded from the harsh conditions of its planet has found a way to reach alternate versions of the planet. Crossing over is risky, so the task devolves to the expendable: the citizens of the wasteland ruled by warlords outside the city gates. Like Cara.
I’m not sure anyone could care enough for Cara, or her tech megalomaniac boss with a dark past, to carry a novel, were it not for a simple fact: This is not a novel of alternates worlds set on post-apocalypse Earth.
What Micaiah Johnson has created instead is something that takes the form and background of its genres and uses them for a meditation on inequality, violence – carried out on others and self-inflicted –, and all forms of exploitation, all couched into a simple, slow burn thriller. And as if this were not a small miracle alone, Johnson’s writing – wry, personal, sharp and human – will get you into the head of her protagonist in a way only the best can. This is more Red Harvest in speculative 21st century costume than anything you’d want to call “sci-fi”, and I for one can’t wait to read what she writes next.
At first i wasn’t convinced, I felt it was a bit confusing. Then everything got in line and the big reveals are surprising. Good character-driven story.
