Paperback, 434 psl.
English kalba
Publikuota 2016 m. rugsėjo 12 d., Head of Zeus.
1967: Ye Wenjie witnesses Red Guards beat her father to death during China's Cultural Revolution. This singular event will shape not only the rest of her life but also the future of mankind.
Four decades later, Beijing police ask nanotech engineer Wang Miao to infiltrate a secretive cabal of scientists after a spate of inexplicable suicides. Wang's investigation will lead him to a mysterious online game and immerse him in a virtual world ruled by the intractable and unpredictable interaction of its three suns.
This is the Three-Body Problem and it is the key to everything: the key to the scientists' deaths, the key to a conspiracy that spans light-years and the key to the extinction-level threat humanity now faces.
1967: Ye Wenjie witnesses Red Guards beat her father to death during China's Cultural Revolution. This singular event will shape not only the rest of her life but also the future of mankind.
Four decades later, Beijing police ask nanotech engineer Wang Miao to infiltrate a secretive cabal of scientists after a spate of inexplicable suicides. Wang's investigation will lead him to a mysterious online game and immerse him in a virtual world ruled by the intractable and unpredictable interaction of its three suns.
This is the Three-Body Problem and it is the key to everything: the key to the scientists' deaths, the key to a conspiracy that spans light-years and the key to the extinction-level threat humanity now faces.
I really liked the beginning. The atmosphere is great. But the more you learn about the world the boringer it gets. All the characters stay kind of flat.
I was surprised to read a Chinese sci-fi novel, but it's an interesting perspective on it. At first I thought this is going to be all about China, being for or against the CCP regime and a bit of sci-fi sprinkled on it, but it was the opposite!
The parts that were leaning on it being in China were great, it's a different view on how to write sci-fi, which is usually VERY centered on the US. I hope for more non-US authors in the sci-fi world, there's a lot to explore here.
The ending surprised me, because I read through it much faster than I thought. This should be a good thing, but I only noticed how far in I was, because I couldn't believe that this is how it's gonna end. It was a bit disappointing, but it's a trilogy, so and it felt very much …
I was surprised to read a Chinese sci-fi novel, but it's an interesting perspective on it. At first I thought this is going to be all about China, being for or against the CCP regime and a bit of sci-fi sprinkled on it, but it was the opposite!
The parts that were leaning on it being in China were great, it's a different view on how to write sci-fi, which is usually VERY centered on the US. I hope for more non-US authors in the sci-fi world, there's a lot to explore here.
The ending surprised me, because I read through it much faster than I thought. This should be a good thing, but I only noticed how far in I was, because I couldn't believe that this is how it's gonna end. It was a bit disappointing, but it's a trilogy, so and it felt very much written in such a way to build upon.
I'm not sure if I will read the rest, but I'd say it's okay. I'm not sure why people are into this story so much, it read a bit wooden at times, but that could be owing to it being a translation. Maybe people are just eager to read something non-US, which I totally get.
Empecé con muchas ganas este ganador del Premio Hugo de 2015. Ciencia ficción "hard", de una cultura un tanto exótica para mí como la china, y con aplauso unánime de la crítica, prometía mucho. Y no es que sea una mala lectura ni mucho menos, pero me ha acabado decepcionando bastante.
Se dice que el autor está muy influido por Asimov, Clarke y similares, y la verdad es que sí: la trama contiene muchos elementos que podían haber sido originales en los años 60, pero que desde luego hoy en día no lo son, al menos en Occidente. El personaje principal es bastante plano; los secundarios, que tenían mimbres para ser interesantes, acaban resultando estereotípicos; el hecho de que la novela acabe en un "continuará" (es el primer libro de una trilogía) no ayuda tampoco a la redondez de la trama.
En otros aspectos donde se ven influencias de otros …
Empecé con muchas ganas este ganador del Premio Hugo de 2015. Ciencia ficción "hard", de una cultura un tanto exótica para mí como la china, y con aplauso unánime de la crítica, prometía mucho. Y no es que sea una mala lectura ni mucho menos, pero me ha acabado decepcionando bastante.
Se dice que el autor está muy influido por Asimov, Clarke y similares, y la verdad es que sí: la trama contiene muchos elementos que podían haber sido originales en los años 60, pero que desde luego hoy en día no lo son, al menos en Occidente. El personaje principal es bastante plano; los secundarios, que tenían mimbres para ser interesantes, acaban resultando estereotípicos; el hecho de que la novela acabe en un "continuará" (es el primer libro de una trilogía) no ayuda tampoco a la redondez de la trama.
En otros aspectos donde se ven influencias de otros autores, los extraterrestres, lejanos y enigmáticos pero a la vez muy humanos, me recuerdan poderosamente a los de Los Propios Dioses; el juego de realidad virtual no puede menos de sonarnos a Ender... Pero todo ello con menos fuerza que las referencias originales.
Curiosamente, donde me parece que el libro se vuelve más vivo y brillante es en sus regresiones sobre China, la Revolución Cultural y su evolución posterior. Quizás es simplemente por mi desconocimiento sobre el tema, pero los capítulos centrados en ese tema se me hicieron mucho más interesantes.
El libro se lee bien, entretiene y es de lectura ágil, pero esperaba algo más. No sé si continuaré con los otros dos libros de la trilogía, tocará pensarlo.
