Too Like the Lightning

This book might be part of the Terra Ignota -- Book 1 series.

Knyga kietais viršeliais, 432 psl.

English kalba

Publikuota 2016 m. spalio 9 d., Tor Books.

ISBN:
978-0-7653-7800-2
ISBN kodas nukopijuotas!
OCLC numeris:
918994531

Žiūrėti „OpenLibrary“

"The world into which Mycroft and Carlyle have been born is as strange to our 21st-century eyes as ours would be to a native of the 1500s. It is a hard-won utopia built on technologically-generated abundance, and also on complex and mandatory systems of labeling all public writing and speech... And in this world, Mycroft and Carlyle have stumbled on the wild card that may destabilize the system: the boy Bridger, who can effortlessly make his wishes come true. Who can, it would seem, bring inanimate objects to life..."--Book jacket.

6 leidimai

apžvelgė autoriaus Ada Palmer knygą Too Like the Lightning (Terra Ignota -- Book 1)

Tough, dense language but very interesting

4 žvaigždutės

I read fiction mostly at night to calm toward sleep. This relaxed time is not the best time for this book. Where I'm looking for entertainment to zone out to, this book required my full attention to understand, so I missed like half of it. It's written, on purpose, in a 18th century style - verbose and poetic.

I'm reading Palmer's non-fiction 'Inventing the Renaissance', which I cannot recommend enough (if you're interested in Renaissance history) - it's very readable. I thought I'd dive into her fiction.

The plot devices are intriguing, which kept me going through the beginning. And once the reveals and action started, I kept going to the end. I'll read the next one even though I'll prbably only get half, just for the plot.

apžvelgė autoriaus Ada Palmer knygą Too Like the Lightning (Terra Ignota -- Book 1)

Too Like the Lightning

2 žvaigždutės

This is a temporary DNF, and one of my big disappointments of the year. I read to approx. p220, giving up during an extended (and frankly inane) overstuffed dialog sequence.

I like the author. Palmer is intelligent, and passionate about her chosen subjects. I share a stack of the same interests, particularly censorship (she has a couple of great lectures on YouTube about the subject, explaining what censorship regimes really do, how they work, how universally slipshod they are, etc.)

I also like the book's key ideas. My social milieu DOES matter more to me than the country on my birth certificate, and that SHOULD count for something. But I couldn't grok her writing style. It's baroque. Too wordy, too 'mannered'. The framing device she employs is original (a history of events, about which extraneous details are included, like editorial decisions and commentary on people) but I can't …

Temos

  • Utopias
  • Prisoners
  • Twenty-fifth century
  • Fiction
  • Third millennium

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