Flung Out of Space

Inspired by the Indecent Adventures of Patricia Highsmith

Nėra viršelio

Hannah Templer, Grace Ellis, Joan Schenkar: Flung Out of Space (Hardcover, 2022, Abrams, Inc.)

17.78 x 2.67 x 24.89 cm, 208 psl.

English kalba

Publikuota 2022 m. spalio 9 d., Abrams, Inc..

ISBN:
978-1-4197-4433-4
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Žiūrėti „OpenLibrary“

Žiūrėti „Inventaire“

5 žvaigždutės (1 atsiliepimas)

A fictional and complex portrait of bestselling author Patricia Highsmith caught up in the longing that would inspire her queer classic, The Price of SaltFlung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith's eyes-reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing-what will eventually be Strangers on a Train- which would later be adapted into a classic film by Alfred Hitchcock in 1951. At …

1 leidimas

apžvelgė autoriaus Hannah Templer knygą Flung Out of Space

What's your wife's name again, Eddie? Because I'd like to murder you, but I want to be sure that she hasn't called dibs first

5 žvaigždutės

It was amazing?

Admittedly I love sarcastic female leads with devastating one-liners, but I really liked this book. It's a fictional take on an episode in Patricia Highsmith's life, when she was anonymously writing low-grade comics while penning what would become Strangers on a Train, followed by The Price of Salt, later renamed Carol.

The muted color palette effectively captures the grayness of Patricia's life, between her boring jobs and the rest of the world telling her she should stop being a lesbian. An occasional pop of orange signals a rare moment of excitement, and I love how Hannah Templer renders shadows in the thriller scenes, or how she mimics old comic books style to illustrate Highsmith's stories.

There's also a little mise en abyme here, that makes us realize just how far we've come since then: the story shows a lesbian writer in the 1950s, struggling …